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Guddi: Jaya Bhaduri (1971)

Hrishikesh Mukherjee put before the audience the elfin, mischievous, quintessential girl-next-door. The audience lapped her up, and asked for more. And more. Jaya obliged, revealing in time a sharp-edged sensitivity that lay beneath the surface of that mischievous mein, and which peeked through at unexpected moments to hit you with megaton impact, in films like Koshish, Abhimaan, Kora Kagaz.


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